009 - Revision history

Admin at 15:16, 15 July 2024

2024-07-15T15:16:08Z

← Older revision		Revision as of 15:16, 15 July 2024
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	Based on a range of close readings of contemporary literature by writers including Linda Stupart, Sam Riviere, Keston Sutherland, Ben Lerner, Caroline Bergvall, Erica Scourti, David Peace and the internet novelists, and drawing on theories of error, shock, glitch, critical posthumanism and code, Jones lays the groundwork for writing that can productively engage in the new situation for literature in the context of AI, the Anthropocene and the post-digital age. His book articulates the working of error in literary and media practice at the horizon of human and machine language.		Based on a range of close readings of contemporary literature by writers including Linda Stupart, Sam Riviere, Keston Sutherland, Ben Lerner, Caroline Bergvall, Erica Scourti, David Peace and the internet novelists, and drawing on theories of error, shock, glitch, critical posthumanism and code, Jones lays the groundwork for writing that can productively engage in the new situation for literature in the context of AI, the Anthropocene and the post-digital age. His book articulates the working of error in literary and media practice at the horizon of human and machine language.
	\|Quote=Glitch Poetics resists technofuturism, reinventing errancy as a necessary aesthetic value of (and crucially against) our time.		\|Quote=Glitch Poetics resists technofuturism, reinventing errancy as a necessary aesthetic value of (and crucially against) our time.
	\|Book=~~Yes~~		\|Book=No
	\|Web=Yes		\|Web=Yes
	\|Year=2022		\|Year=2022

Admin at 15:16, 15 July 2024

2024-07-15T15:16:01Z

← Older revision		Revision as of 15:16, 15 July 2024
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	Based on a range of close readings of contemporary literature by writers including Linda Stupart, Sam Riviere, Keston Sutherland, Ben Lerner, Caroline Bergvall, Erica Scourti, David Peace and the internet novelists, and drawing on theories of error, shock, glitch, critical posthumanism and code, Jones lays the groundwork for writing that can productively engage in the new situation for literature in the context of AI, the Anthropocene and the post-digital age. His book articulates the working of error in literary and media practice at the horizon of human and machine language.		Based on a range of close readings of contemporary literature by writers including Linda Stupart, Sam Riviere, Keston Sutherland, Ben Lerner, Caroline Bergvall, Erica Scourti, David Peace and the internet novelists, and drawing on theories of error, shock, glitch, critical posthumanism and code, Jones lays the groundwork for writing that can productively engage in the new situation for literature in the context of AI, the Anthropocene and the post-digital age. His book articulates the working of error in literary and media practice at the horizon of human and machine language.
	\|Quote=Glitch Poetics resists technofuturism, reinventing errancy as a necessary aesthetic value of (and crucially against) our time.		\|Quote=Glitch Poetics resists technofuturism, reinventing errancy as a necessary aesthetic value of (and crucially against) our time.
	\|Book=No		\|Book=Yes
	\|Web=Yes		\|Web=Yes
	\|Year=2022		\|Year=2022

Admin at 13:38, 15 July 2024

2024-07-15T13:38:10Z

← Older revision		Revision as of 13:38, 15 July 2024
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	\|Has URL=Yes		\|Has URL=Yes
	\|Has PDF=Yes		\|Has PDF=Yes
	~~\|Image=Cat.jpg~~
	~~\|CaptionImage=Test image of a cat~~
	}}		}}

Admin at 13:37, 15 July 2024

2024-07-15T13:37:38Z

← Older revision		Revision as of 13:37, 15 July 2024
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	\|Has URL=Yes		\|Has URL=Yes
	\|Has PDF=Yes		\|Has PDF=Yes
			\|Image=Cat.jpg
			\|CaptionImage=Test image of a cat
	}}		}}

Chinouk at 09:28, 24 April 2024

2024-04-24T09:28:06Z

← Older revision		Revision as of 09:28, 24 April 2024
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	\|Type=Book		\|Type=Book
	\|Discipline=critical		\|Discipline=critical
	\|Subject=Aesthetics, Techno-social		\|Subject=Aesthetics, Techno-social, Artificial Intelligence
	\|Description=Glitches are errors where the digital bursts or creeps into our everyday lives as fragmented image, garbled text and aberrant event. Today, when computational technology is integrated ever more closely into bodies and social structures, glitches are considered by artists and companies alike as critical and commercial opportunities, revealing tears in the real-virtual binary. Glitch has also increasingly become a metaphor for understanding the political and ecological shocks the world pushes into the mediasphere each day. In Glitch Poetics Nathan Jones shows how contemporary writers and artists are integrating the glitch as a literary effect, an affective critique and a realist reflection, at a time characterised by breakage, corruption and crisis.		\|Description=Glitches are errors where the digital bursts or creeps into our everyday lives as fragmented image, garbled text and aberrant event. Today, when computational technology is integrated ever more closely into bodies and social structures, glitches are considered by artists and companies alike as critical and commercial opportunities, revealing tears in the real-virtual binary. Glitch has also increasingly become a metaphor for understanding the political and ecological shocks the world pushes into the mediasphere each day. In Glitch Poetics Nathan Jones shows how contemporary writers and artists are integrating the glitch as a literary effect, an affective critique and a realist reflection, at a time characterised by breakage, corruption and crisis.
	Based on a range of close readings of contemporary literature by writers including Linda Stupart, Sam Riviere, Keston Sutherland, Ben Lerner, Caroline Bergvall, Erica Scourti, David Peace and the internet novelists, and drawing on theories of error, shock, glitch, critical posthumanism and code, Jones lays the groundwork for writing that can productively engage in the new situation for literature in the context of AI, the Anthropocene and the post-digital age. His book articulates the working of error in literary and media practice at the horizon of human and machine language.		Based on a range of close readings of contemporary literature by writers including Linda Stupart, Sam Riviere, Keston Sutherland, Ben Lerner, Caroline Bergvall, Erica Scourti, David Peace and the internet novelists, and drawing on theories of error, shock, glitch, critical posthumanism and code, Jones lays the groundwork for writing that can productively engage in the new situation for literature in the context of AI, the Anthropocene and the post-digital age. His book articulates the working of error in literary and media practice at the horizon of human and machine language.

Chinouk at 09:27, 24 April 2024

2024-04-24T09:27:19Z

← Older revision		Revision as of 09:27, 24 April 2024
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	\|Entry number=009		\|Entry number=009
	\|People=Nathan Allen Jones		\|People=Nathan Allen Jones
			\|Entity=Individual
	\|Title=Glitch Poetics		\|Title=Glitch Poetics
	\|Pdf=https://attachments.are.na/27744062/b9d6b7e570609854a47d7fa35d0ce27c.pdf?1713950786		\|Pdf=https://attachments.are.na/27744062/b9d6b7e570609854a47d7fa35d0ce27c.pdf?1713950786

Chinouk at 09:27, 24 April 2024

2024-04-24T09:27:02Z

← Older revision		Revision as of 09:27, 24 April 2024
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	{{Entry		{{Entry
	\|Entry number=009		\|Entry number=009
			\|People=Nathan Allen Jones
			\|Title=Glitch Poetics
			\|Pdf=https://attachments.are.na/27744062/b9d6b7e570609854a47d7fa35d0ce27c.pdf?1713950786
			\|Link=http://www.openhumanitiespress.org/books/titles/glitch-poetics/
			\|Type=Book
			\|Discipline=critical
			\|Subject=Aesthetics, Techno-social
			\|Description=Glitches are errors where the digital bursts or creeps into our everyday lives as fragmented image, garbled text and aberrant event. Today, when computational technology is integrated ever more closely into bodies and social structures, glitches are considered by artists and companies alike as critical and commercial opportunities, revealing tears in the real-virtual binary. Glitch has also increasingly become a metaphor for understanding the political and ecological shocks the world pushes into the mediasphere each day. In Glitch Poetics Nathan Jones shows how contemporary writers and artists are integrating the glitch as a literary effect, an affective critique and a realist reflection, at a time characterised by breakage, corruption and crisis.
			Based on a range of close readings of contemporary literature by writers including Linda Stupart, Sam Riviere, Keston Sutherland, Ben Lerner, Caroline Bergvall, Erica Scourti, David Peace and the internet novelists, and drawing on theories of error, shock, glitch, critical posthumanism and code, Jones lays the groundwork for writing that can productively engage in the new situation for literature in the context of AI, the Anthropocene and the post-digital age. His book articulates the working of error in literary and media practice at the horizon of human and machine language.
			\|Quote=Glitch Poetics resists technofuturism, reinventing errancy as a necessary aesthetic value of (and crucially against) our time.
	\|Book=No		\|Book=No
	\|Web=Yes		\|Web=Yes
	\|Year=2022		\|Year=2022
	~~\|People=Nathan Allen Jones~~
	~~\|Title=Glitch Poetry~~
	~~\|Link=http://www.openhumanitiespress.org/books/titles/glitch-poetics/~~
	~~\|Type=Book~~
	\|Has URL=Yes		\|Has URL=Yes
	\|Has PDF=Yes		\|Has PDF=Yes
	\|Description=<div><div>Glitches are errors where the digital bursts or creeps into our everyday lives as fragmented image, garbled text and aberrant event. Today, when computational technology is integrated ever more closely into bodies and social structures, glitches are considered by artists and companies alike as critical and commercial opportunities, revealing tears in the real-virtual binary. Glitch has also increasingly become a metaphor for understanding the political and ecological shocks the world pushes into the mediasphere each day. In Glitch Poetics Nathan Jones shows how contemporary writers and artists are integrating the glitch as a literary effect, an affective critique and a realist reflection, at a time characterised by breakage, corruption and crisis.</div></div>
	<div><div><div>Based on a range of close readings of contemporary literature by writers including Linda Stupart, Sam Riviere, Keston Sutherland, Ben Lerner, Caroline Bergvall, Erica Scourti, David Peace and the internet novelists, and drawing on theories of error, shock, glitch, critical posthumanism and code, Jones lays the groundwork for writing that can productively engage in the new situation for literature in the context of AI, the Anthropocene and the post-digital age. His book articulates the working of error in literary and media practice at the horizon of human and machine language.</div></div>
	~~<div><div><div>Glitch Poetics resists technofuturism, reinventing errancy as a necessary aesthetic value of (and crucially against) our time.</div></div></div></div>~~
	}}		}}

Admin at 12:10, 10 January 2024

2024-01-10T12:10:33Z

← Older revision		Revision as of 12:10, 10 January 2024
Line 10:		Line 10:
	\|Has URL=Yes		\|Has URL=Yes
	\|Has PDF=Yes		\|Has PDF=Yes
	\|Description=<div><div>Glitches are errors where the digital bursts or creeps into our everyday lives as fragmented image, garbled text and aberrant event. Today, when computational technology is integrated ever more closely into bodies and social structures, glitches are considered by artists and companies alike as critical and commercial opportunities, revealing tears in the real-virtual binary. Glitch has also increasingly become a metaphor for understanding the political and ecological shocks the world pushes into the mediasphere each day. In Glitch Poetics Nathan Jones shows how contemporary writers and artists are integrating the glitch as a literary effect, an affective critique and a realist reflection, at a time characterised by breakage, corruption and crisis.</div~~><br~~></div><div><div><div>Based on a range of close readings of contemporary literature by writers including Linda Stupart, Sam Riviere, Keston Sutherland, Ben Lerner, Caroline Bergvall, Erica Scourti, David Peace and the internet novelists, and drawing on theories of error, shock, glitch, critical posthumanism and code, Jones lays the groundwork for writing that can productively engage in the new situation for literature in the context of AI, the Anthropocene and the post-digital age. His book articulates the working of error in literary and media practice at the horizon of human and machine language.</div~~><br~~></div><div><div><div>Glitch Poetics resists technofuturism, reinventing errancy as a necessary aesthetic value of (and crucially against) our time.</div></div></div></div>		\|Description=<div><div>Glitches are errors where the digital bursts or creeps into our everyday lives as fragmented image, garbled text and aberrant event. Today, when computational technology is integrated ever more closely into bodies and social structures, glitches are considered by artists and companies alike as critical and commercial opportunities, revealing tears in the real-virtual binary. Glitch has also increasingly become a metaphor for understanding the political and ecological shocks the world pushes into the mediasphere each day. In Glitch Poetics Nathan Jones shows how contemporary writers and artists are integrating the glitch as a literary effect, an affective critique and a realist reflection, at a time characterised by breakage, corruption and crisis.</div></div>
			<div><div><div>Based on a range of close readings of contemporary literature by writers including Linda Stupart, Sam Riviere, Keston Sutherland, Ben Lerner, Caroline Bergvall, Erica Scourti, David Peace and the internet novelists, and drawing on theories of error, shock, glitch, critical posthumanism and code, Jones lays the groundwork for writing that can productively engage in the new situation for literature in the context of AI, the Anthropocene and the post-digital age. His book articulates the working of error in literary and media practice at the horizon of human and machine language.</div></div>
			<div><div><div>Glitch Poetics resists technofuturism, reinventing errancy as a necessary aesthetic value of (and crucially against) our time.</div></div></div></div>
	}}		}}

Admin at 12:09, 10 January 2024

2024-01-10T12:09:42Z

← Older revision		Revision as of 12:09, 10 January 2024
Line 10:		Line 10:
	\|Has URL=Yes		\|Has URL=Yes
	\|Has PDF=Yes		\|Has PDF=Yes
	\|Description=Glitches are errors where the digital bursts or creeps into our everyday lives as fragmented image, garbled text and aberrant event. Today, when computational technology is integrated ever more closely into bodies and social structures, glitches are considered by artists and companies alike as critical and commercial opportunities, revealing tears in the real-virtual binary. Glitch has also increasingly become a metaphor for understanding the political and ecological shocks the world pushes into the mediasphere each day. In Glitch Poetics Nathan Jones shows how contemporary writers and artists are integrating the glitch as a literary effect, an affective critique and a realist reflection, at a time characterised by breakage, corruption and crisis.		\|Description=<div><div>Glitches are errors where the digital bursts or creeps into our everyday lives as fragmented image, garbled text and aberrant event. Today, when computational technology is integrated ever more closely into bodies and social structures, glitches are considered by artists and companies alike as critical and commercial opportunities, revealing tears in the real-virtual binary. Glitch has also increasingly become a metaphor for understanding the political and ecological shocks the world pushes into the mediasphere each day. In Glitch Poetics Nathan Jones shows how contemporary writers and artists are integrating the glitch as a literary effect, an affective critique and a realist reflection, at a time characterised by breakage, corruption and crisis.</div><br></div><div><div><div>Based on a range of close readings of contemporary literature by writers including Linda Stupart, Sam Riviere, Keston Sutherland, Ben Lerner, Caroline Bergvall, Erica Scourti, David Peace and the internet novelists, and drawing on theories of error, shock, glitch, critical posthumanism and code, Jones lays the groundwork for writing that can productively engage in the new situation for literature in the context of AI, the Anthropocene and the post-digital age. His book articulates the working of error in literary and media practice at the horizon of human and machine language.</div><br></div><div><div><div>Glitch Poetics resists technofuturism, reinventing errancy as a necessary aesthetic value of (and crucially against) our time.</div></div></div></div>

	Based on a range of close readings of contemporary literature by writers including Linda Stupart, Sam Riviere, Keston Sutherland, Ben Lerner, Caroline Bergvall, Erica Scourti, David Peace and the internet novelists, and drawing on theories of error, shock, glitch, critical posthumanism and code, Jones lays the groundwork for writing that can productively engage in the new situation for literature in the context of AI, the Anthropocene and the post-digital age. His book articulates the working of error in literary and media practice at the horizon of human and machine language.

	Glitch Poetics resists technofuturism, reinventing errancy as a necessary aesthetic value of (and crucially against) our time.

	Based on a range of close readings of contemporary literature by writers including Linda Stupart, Sam Riviere, Keston Sutherland, Ben Lerner, Caroline Bergvall, Erica Scourti, David Peace and the internet novelists, and drawing on theories of error, shock, glitch, critical posthumanism and code, Jones lays the groundwork for writing that can productively engage in the new situation for literature in the context of AI, the Anthropocene and the post-digital age. His book articulates the working of error in literary and media practice at the horizon of human and machine language.

	Glitches are errors where the digital bursts or creeps into our everyday lives as fragmented image, garbled text and aberrant event. Today, when computational technology is integrated ever more closely into bodies and social structures, glitches are considered by artists and companies alike as critical and commercial opportunities, revealing tears in the real-virtual binary. Glitch has also increasingly become a metaphor for understanding the political and ecological shocks the world pushes into the mediasphere each day. In Glitch Poetics Nathan Jones shows how contemporary writers and artists are integrating the glitch as a literary effect, an affective critique and a realist reflection, at a time characterised by breakage, corruption and crisis.
	}}		}}

Admin at 10:27, 10 January 2024

2024-01-10T10:27:18Z

← Older revision		Revision as of 10:27, 10 January 2024
Line 17:		Line 17:

	Based on a range of close readings of contemporary literature by writers including Linda Stupart, Sam Riviere, Keston Sutherland, Ben Lerner, Caroline Bergvall, Erica Scourti, David Peace and the internet novelists, and drawing on theories of error, shock, glitch, critical posthumanism and code, Jones lays the groundwork for writing that can productively engage in the new situation for literature in the context of AI, the Anthropocene and the post-digital age. His book articulates the working of error in literary and media practice at the horizon of human and machine language.		Based on a range of close readings of contemporary literature by writers including Linda Stupart, Sam Riviere, Keston Sutherland, Ben Lerner, Caroline Bergvall, Erica Scourti, David Peace and the internet novelists, and drawing on theories of error, shock, glitch, critical posthumanism and code, Jones lays the groundwork for writing that can productively engage in the new situation for literature in the context of AI, the Anthropocene and the post-digital age. His book articulates the working of error in literary and media practice at the horizon of human and machine language.

			Glitches are errors where the digital bursts or creeps into our everyday lives as fragmented image, garbled text and aberrant event. Today, when computational technology is integrated ever more closely into bodies and social structures, glitches are considered by artists and companies alike as critical and commercial opportunities, revealing tears in the real-virtual binary. Glitch has also increasingly become a metaphor for understanding the political and ecological shocks the world pushes into the mediasphere each day. In Glitch Poetics Nathan Jones shows how contemporary writers and artists are integrating the glitch as a literary effect, an affective critique and a realist reflection, at a time characterised by breakage, corruption and crisis.
	}}		}}