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028: Difference between revisions
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(Created page with "{{Entry |Entry number=028 |People=Charlotte Rohde, Vera van de Seyp |Entity=Collaboration |Title=A Guide To Softer Ware |Type=Exhibit |Subject=Gender, Materiality, Weaving |Description=A Guide To Softer Ware is a collaborative exploration of contemporary and not-so-contemporary languages of instruction in the context of “womanhood”, calling out their binary notions of gender designation as a social construct. Through analysing their own behavior as socialised women,...") |
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|Entity=Collaboration | |Entity=Collaboration | ||
|Title=A Guide To Softer Ware | |Title=A Guide To Softer Ware | ||
|Link=https://www.collide24.org/art/the-collaborative-project-space-soft-power-encourages-constructive-oppositional-and-fluid-discourses-through-art/ | |||
|Type=Exhibit | |Type=Exhibit | ||
|Discipline=experimental | |||
|Subject=Gender, Materiality, Weaving | |Subject=Gender, Materiality, Weaving | ||
|Description=A Guide To Softer Ware is a collaborative exploration of contemporary and not-so-contemporary languages of instruction in the context of “womanhood”, calling out their binary notions of gender designation as a social construct. Through analysing their own behavior as socialised women, and simultaneously analysing guides by women addressing other women about how to be a woman, Charlotte Rohde and Vera van de Seyp expose the idea of the manual as a (self-)imposed directive, trapped between the imperative to be unconditionally affirmed and the need to be in charge of one’s own narrative. | |Description=A Guide To Softer Ware is a collaborative exploration of contemporary and not-so-contemporary languages of instruction in the context of “womanhood”, calling out their binary notions of gender designation as a social construct. Through analysing their own behavior as socialised women, and simultaneously analysing guides by women addressing other women about how to be a woman, Charlotte Rohde and Vera van de Seyp expose the idea of the manual as a (self-)imposed directive, trapped between the imperative to be unconditionally affirmed and the need to be in charge of one’s own narrative. | ||