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{{Entry
{{Entry
|Entry number=012
|Entry number=012
|People=Natalie Loveless
|People=Hito Steyerl, Giorgi Gago Gagoshidze, Miloš Trakilović
|Entity=Individual
|Entity=Collaboration
|Title=How to make art at the end of the world
|Title=Mission Accomplished: Belanciege
|Type=Book
|Link=https://www.youtube.com/watch?v=dsWv8FH9ACY
|Discipline=critical
|Type=Installation
|Subject=Activism, De/colonialism
|Discipline=politics
|Description=How to Make Art at the End of the World Natalie Loveless draws on diverse perspectives—from feminist science studies to psychoanalytic theory, as well as her own experience advising undergraduate and graduate students—to argue for research-creation as both a means to produce innovative scholarship and a way to transform pedagogy and research within the contemporary neoliberal university.
|Subject=Fashion, Critique
|Description=Hito Steyerl "Mission Accomplished: BELANCIEGE" is part of the exhibition "… of bread, wine, cars, security and peace". The point of departure for the three-channel video installation is the fall of the Berlin Wall in 1989 and how this historical event paved the way for commodification and privatization. The artists turn to the field of fashion, using the luxury brand Balenciaga as an example to reflect on political and cultural changes in the period of the last thirty years. The video installation MISSION ACCOMPLISHED: BELANCIEGE presented at Trafó Gallery reveals similar ’invasions’ of history and emphasizes their cyclical nature by turning towards the processes of economic and political realignment that followed the fall of the Berlin Wall, and by featuring examples that target our hyper-contemporary world armed with trend analysis, data mining, political advertising and audience targeting.
 
The video installation is co-created by Giorgi Gago Gagoshidze, Hito Steyerl and Miloš Trakilović and is based on their lecture in 2019 at n.b.k. - Neuer Berliner Kunstverein. Almost 30 years to the day after the fall of the Berlin Wall, the lecture reflects on post-1989 transformations and political rearrangements in the former Soviet territories, sheds light on the interconnections between culture and populism, and examines in a broader context the mechanisms of oligarchic-capitalist culture that emerged during the 'privatisation' of the former Eastern bloc.
|Image=01_TrafoGallery_Budapest_2023_fotoDavidBiro_(1).jpg
|CaptionImage=Trafó Gallery, photo by Dávid Biró
}}
}}

Latest revision as of 13:35, 1 May 2024

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⤢ a directory that gathers, stacks and links practices that work with, through and beyond (digital) fashion […]
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[012]

Hito Steyerl, Giorgi Gago Gagoshidze, Miloš Trakilović

Mission Accomplished: Belanciege

[WEB⤴]

Installation

Entity

Collaboration

Discipline

politics

Subject(s)

Fashion, Critique

Trafó Gallery, photo by Dávid Biró


Description

Hito Steyerl "Mission Accomplished: BELANCIEGE" is part of the exhibition "… of bread, wine, cars, security and peace". The point of departure for the three-channel video installation is the fall of the Berlin Wall in 1989 and how this historical event paved the way for commodification and privatization. The artists turn to the field of fashion, using the luxury brand Balenciaga as an example to reflect on political and cultural changes in the period of the last thirty years. The video installation MISSION ACCOMPLISHED: BELANCIEGE presented at Trafó Gallery reveals similar ’invasions’ of history and emphasizes their cyclical nature by turning towards the processes of economic and political realignment that followed the fall of the Berlin Wall, and by featuring examples that target our hyper-contemporary world armed with trend analysis, data mining, political advertising and audience targeting. The video installation is co-created by Giorgi Gago Gagoshidze, Hito Steyerl and Miloš Trakilović and is based on their lecture in 2019 at n.b.k. - Neuer Berliner Kunstverein. Almost 30 years to the day after the fall of the Berlin Wall, the lecture reflects on post-1989 transformations and political rearrangements in the former Soviet territories, sheds light on the interconnections between culture and populism, and examines in a broader context the mechanisms of oligarchic-capitalist culture that emerged during the 'privatisation' of the former Eastern bloc.

Added on

23.11.24
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