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|  | {{Entry |  | {{Entry | 
|  | |Entry number=018 |  | |Entry number=018 | 
|  | |People=Hanka van der Voet |  | |People=Anja Groten | 
|  | |Entity=Individual |  | |Entity=Individual | 
|  | |Title=Press & Fold Magazine |  | |Title=Figuring Things out Together | 
|  | |Link=https://pressandfoldmagazine.com |  | |Pdf=https://scholarlypublications.universiteitleiden.nl/access/item%3A3487178/view | 
|  | |Type=Magazine |  | |Link=https://scholarlypublications.universiteitleiden.nl/handle/1887/3487176 | 
|  |  | |Type=Thesis | 
|  | |Discipline=critical |  | |Discipline=critical | 
|  | |Subject=Fashion,Publishing, Feminism |  | |Subject=Agency, Techno-social | 
|  | |Description=Press &Fold .. Notes on making anddoing fashion is initiated by Hanka van der Voet in collaboration with art director andgraphic designer Beau Bertens.The magazine isa collaborative research project that connects critical fashion practitioners from all over theworld.With Press  Fold we aim to create a safe space for alternative fashion practices anddissonant voices within andoutside of the fashion system, andcommunally explore fashion beyond the commodity. |  | |Description=This dissertation explores matters of collectivity, drawing from the experience of working with the Amsterdam-based collective Hackers & Designers (H&D). The main thesis of this research is that conventional design vocabularies are not capable of sufficiently expressing and accounting for collectivities‘ resistance to fixation and stabilization. Collective design as it is discussed here challenges notions of individual authorship, differentiations between disciplines, between product and process or between the user and maker. While collectives shape particular affiliations and commitments, design approaches and aesthetics, they also require perspectives on working and designing together that resist linearity, and a progress-based understanding of a design process. By means of several case studies, it is argued that the fragmentation of social and work relations is as much a characteristic of collective practice as the effort to sustain long-term relationships.Thus, collective practice is not fully deliberate, at least not in the same way as for instance ‘teamwork’, ‘the commons’, or ‘cooperativism’, are purposeful organizational frameworks for living, working or being together. Collective Collective design processes take part in and are a result of particular (often fragile) socio-economic, socio-technical conditions that pervade and shape the ways collectives function. | 
|  |   |  | |Quote=This publication derives from an enthusiasm for the various ways collective learning environments take shape. It grew out of a curiosity for the ways that such practices are shared across different localities, timelines, and experiences. | 
|  | Through discussing our experiences through fashion, thePress  Fold contributors facilitate an alternative discourse that isnot just about consuming thelatest fashions.The magazine ispublished by theAmsterdam-based platform Warehouse .. A Place for Clothes inContext.
 |  | |External reference=[https://anjagroten.info/ Anja Groten], [https://hackersanddesigners.nl/ Hackers & Designers] | 
|  | |Quote=Notes on making anddoing fashion |  | 
|  | |External reference=[https://www.instagram.com/press_and_fold/ Instagram] |  | 
|  | }} |  | }} |