068

From softwear.directory
Revision as of 20:31, 15 November 2024 by Chinouk (talk | contribs) (Created page with "{{Entry |Entry number=068 |People=Maks Valenčič, Tisa Troha |Entity=Collaboration |Title=ŠUM#22 Angel Mode |Pdf=https://www.sum.si/uploads/downloads/SUM22_ANGEL-MODE_online.pdf |Link=https://www.sum.si/issues/angel-mode |Type=Journal |Discipline=philosophy |Subject=Agency, Post-human, Techno-social |Description=The journal ŠUM#22 – Angel Mode explores themes in contemporary art, theory, and speculative fiction. Key articles include topics such as online identities,...")
(diff) ← Older revision | Latest revision (diff) | Newer revision → (diff)
Jump to navigation Jump to search
[Nr.]
Title
Type
⤢ a directory that gathers, stacks and links practices that work with, through and beyond (digital) fashion […]
LATEST UPDATE 20.11.2024

[068]

Maks Valenčič, Tisa Troha

ŠUM#22 Angel Mode

Journal

ŠUM22: ANGEL MODE 🪽 Design by Jaka Neon🪽Edited by Maks Valenčič and Tisa Troha


The journal ŠUM#22 – Angel Mode explores themes in contemporary art, theory, and speculative fiction. Key articles include topics such as online identities, accelerationist philosophy, the concept of "angelic sexuality," and reinterpretations of faith and love in the digital age. Contributors like Bogna Konior and Haela Ravenna Hunt-Hendrix discuss theoretical frameworks connecting cyberculture and philosophy. The issue is edited by Maks Valenčič and Tisa Troha.
The Angel Mode Issue explores the intersection of online aesthetics and identities, focusing on the "angel" as a symbol for transcendent, hyper-feminine personas. This ties into ongoing online discourse of femininity, vulnerability, and performance, often communicated through ethereal-esque aesthetics, cyberpunk references, and soft romanticism style write-ups. The "angel" metaphor also critiques our roles in cybernetic systems, where humans act as conduits for larger external forces. Embracing this mode reflects a shift from individuality toward alignment with overarching digital and 'transcendental' patterns.
22.11.24