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<p class="about-label>DESCRIPTION</p> | <p class="about-label>DESCRIPTION</p> | ||
<p class="about-more-text>What is the added value of these shared sources and cross-disciplinary perspectives? And what impact might they have on our relationship with fashion? How can we incorporate, simulate or decontextualise their ways of doing? | <p class="about-more-text><i>What is the added value of these shared sources and cross-disciplinary perspectives? And what impact might they have on our relationship with fashion? How can we incorporate, simulate or decontextualise their ways of doing?</i> | ||
</p><br> | </p><br> | ||
<p class="about-more-text>By collecting, stacking and linking these modes of (online) doing, making and experiencing fashion in its aesthetic, social and political forms, the Directory looks beyond the material product that fashion offers. While some of the subcategories are highly specific, ranging from educational programmes and experiments in digital materiality, to critical and independent practices that investigate the production of value, the impact of distorted images on our online identity, and the ability to self-publish online as a form of hacking traditional (fashion) media. | <p class="about-more-text>By collecting, stacking and linking these modes of (online) doing, making and experiencing fashion in its aesthetic, social and political forms, the Directory looks beyond the material product that fashion offers. While some of the subcategories are highly specific, ranging from educational programmes and experiments in digital materiality, to critical and independent practices that investigate the production of value, the impact of distorted images on our online identity, and the ability to self-publish online as a form of hacking traditional (fashion) media. | ||