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|Reflection=By examining the origins, cultural significance and tactile nature of swiping, this thesis establishes swiping as both a technological object and a cultural phenomenon. In exploring whether such gestures enhance or diminish autonomy in digital spaces, its analysis aligns with the ideas set out in Coded Gestures[076], as both texts critically examine how embodied technologies can either empower users or subtly dictate behaviour, urging a more intentional approach to gesture-driven design. | |Reflection=By examining the origins, cultural significance and tactile nature of swiping, this thesis establishes swiping as both a technological object and a cultural phenomenon. In exploring whether such gestures enhance or diminish autonomy in digital spaces, its analysis aligns with the ideas set out in Coded Gestures[076], as both texts critically examine how embodied technologies can either empower users or subtly dictate behaviour, urging a more intentional approach to gesture-driven design. | ||
|External reference=[https://www.instagram.com/manner________laatta/ Akseli's Instagram], [https://thesis.digitale-grafik.com/?utm_source=substack&utm_medium=email Klasse Digitale Grafik — HFBK] | |External reference=[https://www.instagram.com/manner________laatta/ Akseli's Instagram], [https://thesis.digitale-grafik.com/?utm_source=substack&utm_medium=email Klasse Digitale Grafik — HFBK] | ||
|Image=Swiping dichotomies.png | |||
|CaptionImage=Swiping Dichotomies website by Akseli Manner | |||
}} | }} | ||