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This page provides a simple browsing interface for finding entities described by a property and a named value. Other available search interfaces include the page property search, and the ask query builder.

List of results

• 091  + (I see working with AI as being in conversation with the software.)

• 063  + (If Ursula K. Le Guin described technology as the “active human interface with the material world,” I also attempt to become a technology myself.)
• 069  + (If World building has become a central mode of cultural production today, then what kind of subjectivities and bodies will it demand?)
• 057  + (Images are no longer passive reflections; they are active agents, manipulated and distorted by the flows of capital and power, reshaping reality in their own fractured, pixelated image.)
• 055  + (In a swarm, the whole emerges from local i … In a swarm, the whole emerges from local interactions, with no central control or singular direction. This phenomenon can be seen in digital spaces where collective behaviors and patterns emerge organically, driven by the actions and decisions of individual participants. and decisions of individual participants.)
• 067  + (In the world of recommerce, virtual shopping is the new consumerism that everyone can afford. [..] Virtual shopping exists within a liminoid space, what cultural theorist Rob Shields defines as a meeting point of the imaginary and the material.)
• 060  + (It is obvious enough why a clothing company might align itself with art or theory: to spritz its all-too-worldly wares with the air of intellect.)
• 088  + (Over time, I hope this platform becomes not just an accumulation of information, but a transformative infrastructure: a space where artistic labor is not extracted, but comes to obtain other forms of value mutually.)
• 019  + (So we go back to the blog. Repurpose the zine. We’re sending our reply using the grammar of the internet.)
• 058  + (Soft Tech is a term we’ve used and defended since the late sixties. Soft signifies that something is alive, resilient, adaptive, maybe even lovable.)
• 039  + (The reality is that “authenticity” holds no value. But then again, who wants to engage in reality?)
• 066  + (There is no place for self-actualisation l … There is no place for self-actualisation like the Internet. To put on and take off identities, personalities, interests, and styles with no cost at all and by simply lifting a pointer finger. This has generally been considered an advantage of the Internet. I’d argue it is not. It feeds an instinct that has been trained in us from marketing executives. You can create a “self” and a “space” for that self, with none of it being real at all.t self, with none of it being real at all.)
• 018  + (This publication derives from an enthusiasm for the various ways collective learning environments take shape. It grew out of a curiosity for the ways that such practices are shared across different localities, timelines, and experiences.)
• 027  + (This website explores the unique poetic character of fashion captions, and text in general of its media systems.)
• 074  + (To use a browser is, directly or indirectly, to participate in commerce. No act of browsing is ever really idle.)
• 022  + (We live in a world where captains get arre … We live in a world where captains get arrested for saving people’s lives on the sea; where a person downloading scientific articles faces 35 years in jail; where people risk charges for bringing contraceptives to those who otherwise couldn’t get them. Folks are getting in trouble for giving food to the poor, medicine to the sick, water to the thirsty, shelter to the homeless. And yet our heroines care and disobey. They are pirates.roines care and disobey. They are pirates.)
• 030  + (When musing on fashion and identity, it’s always worth asking: when does wearing something truly change the meaning of who we are?)
• 054  + (When we return to the public squares, it is not uncommon to think: what the hell is anyone saying? Imagine explaining what an 'Aesop Soap Guy' or a 'Sandy Liang Girlie' are to someone who isn't involved in that discourse.)
• 087  + (Where does authorship begin? Is a bibliography—or a set of visual references—intellectual property?)
• 032  + (Within glitch feminism, glitch is celebrated as a vehicle of refusal, a strategy of nonperformance.)
• 021  + (Worldbuilding is a means to resist complacency and categorization; an affirmation that one can draw new borders (or ends) and declare new logics for life.)
• 002  + (the Cyberfeminism Index is incomplete and always in progress..)
• 051  + (we're exploring how technological scale sets conditions for relations, feelings, democratic processes, and infrastructures.)
• 049  + (“As you gaze at the flickering signifiers scrolling down the computer screens, (…) you have already become posthuman.”)
• 064  + (“Technology” and “hi tech” are not synonymous, and a technology that isn't “hi,” isn’t necessarily '“low” in any meaningful sense.)